To celebrate International Women's Day, I thought I would spotlight the real (and unjustly forgotten) historical women whose lives I have drawn upon in my fiction.
As many of you will know, I have spent the past few years researching and writing about the fascinating lives of some of the women in the Pre-Raphaelite sisterhood for my novel Beauty in Thorns.
The Pre-Raphaelites were a collection of daring young artists who outraged Victorian society with their avant-garde paintings, their passionate affairs, and their scandalous behaviour.
Discovered working in a milliner’s shop, Lizzie became one of the most famous faces of the early Pre-Raphaelite Brotherhood, modelling for paintings by Rossetti and Millais (she is his famous Ophelia). She and Rossetti began a passionate and turbulent affair. Heart-broken by his infidelities, Lizzie took refuge in laudanum. As she lay dying, Rossetti promised to marry her if she would only recover. They were married in 1860, but the birth of a dead child caused Lizzie to sink further into depression and addiction. She died of an overdose in 1862. Rossetti famously buried his poems with her but later had her exhumed to retrieve the manuscript.
Jane Burden (b. 1839)
Jane was discovered by Rossetti and Burne-Jones in Oxford, and became one of their most striking and famous models. She married William Morris, but began a scandalous affair with Rossetti after the death of Lizzie Siddal. She had two daughters, Jenny and May. Her eldest suffered from epilepsy, then thought a most shameful disease.
Georgie Macdonald (b. 1840)
The daughter of a God-fearing Methodist minister, Georgie met Ned Burne-Jones when she was ten. He awoke her to a new world of art and poetry and beauty, and she shared with him her favourite fairy tale “Briar Rose”, which inspire him to create some of his most beautiful paintings. Georgie married Burne-Jones at the age of nineteen, after a four-year engagement.
Margaret Burne-Jones (b. 1866)
The third child born to Edward and Georgie Burne-Jones, after the tragic death of their second son. She was a shy and reserved child remarkable for her beauty. As she grew, she found herself in demand as a model for the Pre-Raphaelites, but struggled with the unwanted attention. In 1888, she fell in love with the Scottish writer, John William Mackail, but her father refused to countenance their marriage. He was obsessively working on his painting of her as the sleeping princess in "The Legend of Briar Rose" series, and was afraid of losing his muse. Margaret had to find the strength to defy her father and marry the man she loved.