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BOOK REVIEW: The Desert Nurse by Pamela Hart

Friday, September 14, 2018

 

The Blurb (From Goodreads):

Amid the Australian Army hospitals of World War I Egypt, two deeply determined individuals find the resilience of their love tested to its limits

It's 1911, and 21-year-old Evelyn Northey desperately wants to become a doctor. Her father forbids it, withholding the inheritance that would allow her to attend university. At the outbreak of World War I, Evelyn disobeys her father, enlisting as an army nurse bound for Egypt and the disastrous Gallipoli campaign.

Under the blazing desert sun, Evelyn develops feelings for polio survivor Dr William Brent, who believes his disability makes him unfit to marry. For Evelyn, still pursuing her goal of studying medicine, a man has no place in her future. For two such self-reliant people, relying on someone else for happiness may be the hardest challenge of all.


My Thoughts:

I’m a big fan of Pamela Hart’s vivid and intelligent historical romances. They give me everything I want in a book – drama, heartache, struggle, triumph, and an enthralling glimpse into the past that teaches me sometSuhing I did not know. The Desert Nurse is set mainly in Egypt during the First World War, and tells the story of a young woman named Evelyn Northey who is determined to become a doctor, despite all the obstacles in her way. Her father is a doctor himself, but does not believe that women should be anything but wives and mothers. He refuses to allow Evelyn the money to go to university to study medicine, and withholds her mother’s inheritance until she turns thirty or is married.

When war breaks out, Evelyn disobeys her father and enlists as a nurse bound for Egypt. She makes friends with the other nurses and doctors, and works herself to exhaustion caring for the wounded soldiers of the disastrous Gallipoli conflict.

The romantic hero of this story is Dr William Brent, who survived polio but was left with a weak leg. Unable to fight, he too works tirelessly to save lives and mend shattered bodies. He and Evelyn are strongly drawn to each other, sharing high ideals of compassion, sympathy and determination. Evelyn has sworn never to marry, however, knowing that a husband and children would prevent her from achieving her dream of becoming a doctor. William, meanwhile, fears being a burden. Besides, there is no time for love. Men are fighting and dying in horrible numbers, and at times it seems as if the war would never end.

Evelyn and William’s love story is engaging and heart-warming, as they struggle to find a way to be together, but for me the real strength of this novel is how it illuminates the lives of the nurses and doctors during the Anzac campaign. It is clear that Pamela Hart has done massive amounts of research, but it is woven so lightly and deftly all though the book that the cracking pace is never compromised. I truly felt as if I was hearing the story of a young nurse in the Egyptian war zone, struggling to help in any way she could, and trying to find a way to make her dreams come true. It’s the kind of book that leaves you with a big lump in the throat, helped by having one of the best last lines I’ve ever read.

I was lucky enough to interview Pamela Hart for the blog this week, you can read it here.

You might also be interested in my review of Pamela Hart's earlier book, A Letter From Italy. 

Please leave a comment and let me know what you think.

INTERVIEW: Pamela Hart

Friday, September 14, 2018

  

Today I welcome Pamela Hart, author of The Desert Nurse, among other books, to the blog.

Are you a daydreamer too?
Not so much since I became a mum! Mostly, I’m a night-dreamer… the time just before I fall asleep is when my imagination takes off. Which makes getting to sleep a bit tricky, some nights.

Have you always wanted to be a writer?
I guess I figured out when I was about 12 that being a writer was a far-off possibility, but I thought at the time that only people who’d lead ‘interesting’ lives could be writers, and my life seemed far too boring to allow me that privilege - so when I was 15 I decided to work in television. Apart from being fun in itself, that seemed to me to be ‘interesting’ enough to qualify me as a writer-in-potential. And, of course, that was what happened - I was working at ABC Kids when I began to write children’s stories (as Pamela Freeman).

Tell me a little about yourself – where were you born, where do you live, what do you like to do?
I was born in Sydney - in Parramatta, in the Western Suburbs. Now I live in the inner west, quite close to the city. As for what I like to do: well, read, mostly. And wander up to the café on the corner to have a nice bacon and egg roll for brunch. I also love theatre, live music, opera, jazz… we make a lot of music in our house, and I do spend some time practicing the drums and playing my guitar. Also cooking. I like to make things from scratch - today I made cumquat marmalade!

How did you get the first flash of inspiration for this book?
The inspiration for The Desert Nurse came quite a few years ago, when I was writing The Soldier’s Wife. That book was based in part on my grandfather’s experience of being wounded at Gallipoli and coming home having to cope with the consequences of the injury. The focus of the book was on the relationship between that soldier and his wife, and was based in Sydney. But I knew that my grandfather’s life had been saved by good nursing, since he developed a very dangerous fever after he was operated on in Cairo. Without anti-biotics, it was only dedicated nursing that saved him and thousands like him. So as I was writing The Soldier’s Wife, I knew one day I wanted to write a story honouring those extraordinary women.

How extensively do you plan your novels?
That varies enormously from book to book. In some, I know exactly what’s going to happen. In others, I have no idea at all! I’ve found it’s best not to get too attached to any one way of working. Each book has its own challenge.

Do you ever use dreams as a source of inspiration?
Only once - and it turned into a not-very-good story, so… but I am not much of a dreamer. I very rarely remember my dreams (I’m assured I have them by science, but sometimes I have my doubts!)

Did you make any astonishing serendipitous discoveries while writing this book?
No… I think a lot of my discoveries were made during the research for The Soldier’s Wife, which I’ve written about here.


Where do you write, and when?
At the moment, since we’ve just renovated, I am setting up my office. In the meantime, I’m writing as I have done for some time, sitting crosslegged in an armchair in the living room! As for when - I write best in the afternoons.

What is your favourite part of writing?
The playing with ideas at the start. So many possibilities - it’s like trying on clothes in a fabulous store, where everything fits but some things just feel better than others. I try on lots of ideas about my characters and story before I begin to write, and it’s the best game ever!

What do you do when you get blocked?
I write something else. As Pamela Freeman, I write children’s books, and I usually have some work I need to do on one of those, so I switch across - and vice versa. It’s a great way of getting some perspective on the current problem. During the writing of The Desert Nurse, my kids’ book was Amazing Australian Women, and that gave me lots of impetus to write about wonderful women.

How do you keep your well of inspiration full?

Research! Writing historical fiction is fantastic because, every time I do the research for one book, I find half a dozen stories I might like to tell. There are so many great, true stories out there, I doubt I’ll ever run out.

Do you have any rituals that help you to write?

Nope. I began to write seriously while I was a consultant in organisational communication, and I ran the writing parallel to the consulting work. I had very little time to devote to writing, and I learnt to ‘flip th switch’ in my head whenever I had the time to spare. ‘Flipping the switch’ for me means changing the way my mind works, from the very logical and presciptive way it had to for my consulting work, to the imaginative way I needed for fiction. That’s my only ritual, I guess. It took some time to develop, but it became quite reliable. Of course, it doesn’t work if you haven’t been thinking about the story in your downtime moments, getting ready for the moment when you have time at the keyboard.

Who are ten of your favourite writers?

Well, you, Katie, of course! (And you know that’s true!)

I have very wide tastes. I started as a Shakespeare girl, and he’s still right up there. I also read a lot of poetry. For fiction, though, Jane Austen, JRR Tolkien, Terry Pratchett, Georgette Heyer, Mary Stewart - and, recently, George Saunders, Ben Aaronovitch, Sue Whiting, Anita Heiss.

What do you consider to be good writing?

I guess I look for three things. Any one of these will keep me reading, but a great book has all three:

A story to keep me interested,
Characters I can and do care about
A style which reinforces the theme and feeling of the book.

So that might be Austen at one end of the literary spectrum, and Matthew Reilly at the other. They are both very good at what they do, and in the right mood, I can like either one. John Banville’s detective fiction, for example, is basically a series of tone poems. I love it - but I’m just as keen on Val McDermid’s darker and grittier style, because it fits her stories. I try not to be a snob about writing - in the end, if a story keeps the reader’s interest and engages her emotions, that’s what counts.

What is your advice for someone dreaming of being a writer too?

Just do it.

Seriously. Just start. It doesn’t matter what you start with - the main thing is that you need practice in creating characters and stories, so start practicing! I teach writing, and it’s so satisfying to take absolute beginners, who’ve never written anything before, all the way through to publication. It’s possible. It’s very possible - but it won’t happen if you don’t write, and rewrite, and write again.

What are you working on now?
My current book is Dancing with the Prince of Wales. It takes two minor characters from The War Bride, Jane and Jonesy, and follows them to London where they go on to be stars on the English stage in the 1920s. It’s inspired by two Australian actors who did just that - Cyril Ritchard and Marge Eliot. I’m having to do a HUGE amount of research for this, because so many real people are characters - Noel Coward and Fred Astaire, Gertie Lawrence and Ivor Novello - and of course the Prince of Wales (the one who later abdicated). It’s a lot of fun, but rather nerve-wracking. The only one I feel really comfortable writing is Fred Astaire, because I’ve been an Astaire tragic my whole life! It will be out in 2020.

You can read my review of Pamela Hart's latest book, The Desert Nurse, here.



BOOK REVIEW: A Letter from Italy by Pamela Hart

Thursday, August 03, 2017


A Letter from Italy – Pamela Hart

Blurb (from GoodReads):

Inspired by the life of the world's first woman war correspondent, Australia's Louise Mack, the most sweeping love story yet by Pamela Hart

1917, Italy. Australian journalist Rebecca Quinn is an unconventional woman. At the height of World War I, she has given up the safety of her Sydney home for the bloody battlefields of Europe, following her journalist husband to the frontline as a war correspondent in Italy.

Reporting the horrors of the Italian campaign, Rebecca finds herself thrown together with American-born Italian photographer Alessandro Panucci, and soon discovers another battleground every bit as dangerous and unpredictable: the human heart.


My Thoughts:
A passionate and poignant love story set on the beautiful Italian coast by the bestselling author of The Soldier's Wife and The War Bride. Pamela Hart has been making a name for herself by writing vivid, compelling and gorgeously romantic historical fiction novels about the lives of Australian women during the First World War. Her first two – The Soldier’s Wife and The War Bride – were set in Sydney during and just after the war years. Her latest, however, is set in Italy, and was inspired by the true story of Louise Mack, an Australian journalist who became the world’s first female war correspondent. 


The heroine is a strong-willed Australian journalist named Rebecca Quinn who has followed Jack, her war correspondent husband, to the frontline of the war in Italy. He goes undercover in Albania, leaving Rebecca alone in Brindisi, an Italian port town about halfway down Italy’s boot-heel. She is determined not to be sent home, but women journalists are not welcome and so she must prove herself even while struggling to stay safe. She begins to work with a talented Italian-American photographer named Sandro, racing to get scoops before any other journalist and finding herself in the heart of the action. Meanwhile, Jack goes missing and Rebecca finds her emotions in turmoil


The pages seemed to turn themselves, and I found myself sneaking off to read when I was meant to be working. A really thoughtful and subtle historical romance with lots of brains and lots of heart. 

KATE FORSYTH'S Australian Women Writers Challenge 2015

Friday, January 08, 2016

Every year I try and take part in the Australian Women Writers Challenge, in an attempt to read more books written by Australian female authors.

I only managed ten in total this year, much to my disappointment. It may have been more – I’ve had such a busy year that I was not as good as usual in writing down all I’ve read! Also, a lot of my reading was taken up in research books for the new novel I am working on, which is set in Victorian England. 


I will do better in 2016!




1. The Light Between the Oceans - M.L. Stedman

A compelling and beautifully written novel set in a lighthouse in Australia, and telling the story of a lost child, and how one small choice can break apart many lives.  



2. Daughters of the Storm - Kim Wilkins

A historical fantasy set in a world much like the Dark Ages, with an absolutely brilliant kick-ass heroine and lots of brilliantly drawn characters to love and hate.




3. The Soldier's Wife - Pamela Hart

A moving historical novel set in Sydney during the First World War, The Soldier's Wife tells the story of the women left at home, who must struggle on as best they an.  





4. The Husband’s Secret – Liane Moriarty

A gripping and utterly original psychological thriller set in a Sydney suburb much like my own ... unputdownable!






5. The Forgotten Garden – Kate Morton 

This is one of my favourite books by one of my favourite writers - entwining the story of a Victorian fairy tale teller, a secret garden, and a murder ... so much to love! 





6. The Tide Watchers – Lisa Chaplin

An intriguing historical novel set during the Napoleonic wars and inspired by the fascinating true-life story of a a British female spy.





7. The Spring Bride – Anne Gracie

Anne Gracie's Regency romance novels are an utter delight! Funny, warm-hearted, and adventurous - I buy them as soon as they are released! 





8. Big Little Lies – Liane Moriarty 

Another intriguing novel that looks at the dark secrets that can lurk under the surface of even the shiniest of lives, this was so good I gave it to my husband to read!




9. Small Acts Of Disappearance: Essays on Hunger  - Fiona Wright

A collection of interconnected essays inspired by the author's struggle with anorexia nervosa, written with crystalline prose.    





10. The Lake House – Kate Morton

I pre-ordered this book and read it as soon as it landed on my doorstep. Another compelling historica/contemporary tale of secrets and mysteries. Loved it!


WRITING ADVICE from Pamela Hart, author of The Soldier's Wife

Monday, June 08, 2015

Pamela Hart, author of THE SOLDIER'S WIFE, offers her best every writing tips on the blog today:





My best writing tips

Here are my top six tips for people who want to be published writers.

Before that, I just want to say that there’s nothing wrong with writing without trying to be published.  I get a bit annoyed that it’s considered perfectly okay to be an amateur photographer, or amateur painter, or to play in a garage band, but somehow anyone who writes is supposed to want to be published.  ‘Amateur’ means ‘for the love of it’ and there’s nothing wrong with writing for love – or fun!  I’m also a big supporter of fan fiction.  Don’t be made to feel ‘less’ because you like writing fanfic.  

  1. 1. Write the book.

As Pat Walsh says, ‘The number one reason your book won’t be published is that you haven’t written it.’

I hear a lot of ‘I’d love to write a book if only I had the time.’

Sorry, but if you’ve got enough time in your week to read a book, you’ve got enough time to write one.  If you’ve got enough time to watch a couple of tv shows, you’ve got enough time to write a book.  If you have a train or bus journey every day where you can sit down, you’ve got enough time to write a book.  You just have to want to write it badly enough.


  1. 2. Write it again.

That is, do drafts.  Lots and lots of drafts.  Edit and re-edit.  First draft is never good enough. 


  1. 3. Get help

Find some like-minded people – people who actually think about writing in a concrete way; often people who write themselves – and make them your beta readers.  You can do this in a formal course, like the ones Kate and I both teach at the Australian Writers’ Centre, or you can do it informally, if you’re lucky enough to know some peole like this.

And after you’ve asked for their opinions, listen to them.


  1. 4. Make the changes

If an agent or editor suggests changes to your book, that’s a Good Thing.  It means they think your work is good enough to spend some of their time on it.  Agents and editors are really good at identifying problems.  You may not like the solutions they come up with for those problems, but you can’t ignore them.  If they see a problem there, it really is there.  


  1. 5. Ignore what everyone says

Yes, you have to pay attention when a competent professional tells you you have a problem with your manuscript.  But if a friend who’s just a casual reader suggests something you know isn’t right for the story, ignore them.

Of course, if everyone suggests the same thing, you might want to start listening… see tip #4!

And finally, 


  1. 6. Have fun!

Writing isn’t always easy, but I’m always reminded of HG Wells’ quote: Life isn’t meant to be easy, but take courage, child, it can be delightful.

Writing should be delightful sometimes! 




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