William Morris and Mariano Fortuny were born decades apart in the 19th century. Morris, a wealthy Englishman, was a designer beloved for his floral patterns that grace wallpaper, serving ware, upholstery, and countless other objects even today; Fortuny, a Spanish aristocrat, is now less recognized but was revolutionary in his time, in his ideas about everything from theatrical lighting to women's fashion.
This beautiful little hardcover book was a gift from a writer friend of mine who knew of my fascination with William Morris and the Pre-Raphaelites.
It is an extended personal essay, in which A.S. Byatt shares with us her personal response to the lives of two men whose art and creativity echoed each other in interesting ways. The first is William Morris, one of the founders of the Arts and Crafts movement and a poet who refused to become Queen Victoria’s Poet Laureate. Nowadays he is best known as the designer of beautiful intricate wallpapers and fabrics.
The second subject is Mariano Fortuny, the aristocratic Spanish fashion designer and artist who lived and worked in a palazzo on the Grand Canal in Venice. They were not really contemporaries – Morris died in 1896 in London and Fortuny was born in 1871 in Granada – and they never met. However, A.S. Byatt finds interesting correlations between the two men, and the book is enriched with beautiful photographs of both of their work.
I love books like this, which illuminate art and history and creativity in such interesting and unexpected ways, and which are themselves are work of art.