My novel BITTER GREENS (a retelling of Rapunzel interwoven with the true life story of the woman who first told the tale) is being studied this semester at the University of Queensland. The class tutor (and one of my all-time favourite writers) Kim Wilkins asked me if it was possible to show the students some of the pages from my notebooks.
I realised I had never posted about my working techniques for BITTER GREENS, and so this seemed like the perfect opportunity to do so.
I buy a new notebook whenever I begin a new book. Normally, I try and buy something really beautiful and special, but for BITTER GREENS I had been given a pile of plain black notebooks and I thought I had better use those first.
To make them pretty and special, I stuck images on the front:
These are the covers for the notebook devoted to the story of Charlotte-Rose de Caumont de la Force, set in 17th century Paris and Versailles and the abbey of Gercy-en-Brie in the French countryside. The paintings are not of Charlotte-Rose herself, but of anonymous 17th century French ladies that spoke to me somehow. This is the only image I was able to find of Charlotte-Rose de la Force:
This is the cover of my notebook for the scenes set in Renaissance Venice, which tell the story of Margherita (my maiden) and Selena Leonelli (my witch). The image is one of Titian's most famous paintings of the mysterious women who was his muse. It is called 'Woman with a Mirror' and you can see the original in the Louvre (I did!)
The opening pages of my notebook - the pink stick-it note was from a dinner party where I met some Germans who told me the perfect place to set my Rapunzel scenes in the tower - Sirmione in Lake Garda. I ended up setting this scenes a few miles away at Rocca del Manerba:
Some early pages from my notebook.
It is always very important to me that I plan my key turning points as early as possible in the writing process. I try and find the underlying pattern in the story, which is a process I find very exciting and liberating - it helps me know my key emotional beats, and the scenes which I wish to foreshadow early in the story. BITTER GREENS was a complicated story, so I created a graph like this for each of my major characters - seeing where their stories intersected and how many words each section should be. I often change my graph as the story develops and I learn more about my story - in which case, I draw this diagram again and again, as I try to understand the key underpinnings of the story's architecture.
These are the opening lines of BITTER GREENS, written longhand in my notebook. I often write key scenes longhand first, to slow myself down and think through what I want to say. Typing is an amazing technological breakthrough for writers, but it can lead to quick and facile writing. I like to write slow and deep and thoughtful at times - usually for my most important scenes or when a line or paragraph is causing me trouble and always, always, always, when I am writing poetry.
I have a very visual imagination, so I like to be able to "see" things before I describe them. Consequently I am always sticking in maps, diagrams, and photos into my notebooks, or drawing little maps for myself (this sketch is of Margherita's tower)
An early chapter outline
Lists of characters
Random pages I thought you might find interesting
My notebooks are not particularly pretty - my handwriting is awful and my drawings even worse. They are, however, a record of the creative process from the earliest ideas through to the finished product. I date my pages, keep a record of my word counts, and say where I am when I am working on that page (Paris, Venice, Florence and the south of France all feature in these pages.)
Writing BITTER GREENS was an extraordinary experience for me. No book I have written has ever dug so deeply into who I truly am.
I have written a lot on my blog about Bitter Greens - I hope you will go and explore further! Or take a look at my Pinterest pages on Titian's paintings of his muse, Rapunzel or my inspirational pinboard for BITTER GREENS
But - most of all - I hope you love the book!